Magical Negro Egungun
Magical Negro Egungun

In this three-ringed spectacle, Pinder transforms the Defibrillator space into a playground for the body and mind. In three distinct heroic exercises, he embodies the role of the most contemporary black trope, the ‘Magical Negro’. In an exchange with the audience, he demonstrats how physical actions can explore the darker side of this complex stereotype. Accompanied by music and narration, this performance challenges the viewer to understand how both absurd and rational actions can be imbued with racial meaning in context with the use of the black body.

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Performance, Video, ObjectsLeaf Silver2013, Chicago
Dark Matter
Dark Matter

What does it look like when millennials take to the street? Moved by the physicality of rebellion, Pinder collaborated with a group of accomplished break dancers called The Lionz of Zion. The piece explored how breakdancing best captured the explosive nature of spontaneous protest. This performance featured acrobatics, gesturing to how athletic movement can be used as a way of creating conversations around social struggle. Employing intense police lights, minimal costuming, smoke, and music, the team of break dancers wove a loose narrative to produce a chilling effect.

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Performance, VideoLeaf Silver2014
Thoroughbred
Thoroughbred

The term “thoroughbred” describes pure-bred horses known for their agility and speed. Referencing the legacy of comparing black bodies to “beasts of burden", four black performers step onto treadmills in a white-walled Chicago gallery space and work themselves to exhaustion. The treadmills, which are controlled by the artist, push the small group of runners to their physical limit as the speed is increased. The implicated spectators watch as the work devolves to one strong runner. What starts in a beautiful unison ends in dramatic fashion, as the performers struggle to keep pace with the accelerating apparatuses.

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Performance, VideoLeaf Silver2014, Chicago
Passive / Resistance
Passive / Resistance

A physical exchange of blows demonstrates the heroics and absurdity of the Passive Resistance techniques used in the Civil Rights struggle of the 1960s. A white man repeatedly slaps as the artist, as the latter endures the brutality. The rhythm of the exchange intensifies, driving a physical dialogue. The viewer becomes complicit as the ‘beat down’ comes to a sudden end, as both performers look to the silent witness.

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Performance, VideoLeaf SilverCivil Rights, brutality, rhythm, dialogue, complicity, silence