“Weapons and White Music, a compact anthology of Pinder’s art from the last decade or so, on view at Wayne State University’s Elaine Jacob Gallery now through April 27, showcases a body of work that balances aesthetics and activism. It addresses issues of race not with unequivocal slogans but in an audio-visual language that prompts contemplation, investigation, and soul-searching. There are no handy wall labels here to coach the visitor, so inevitably, the nature of that contemplation will vary from one person to the next.”
The performance by Jefferson Pinder is one of more than 100 new acquisitions recently announced by the institution
Pinder’s portrayal of the black body at work, under distress, and moving through pain and exhaustion constitutes an act of resistance and social commentary. As Pinder states, “I portray the black body both frenetically and through drudgery in order to convey relevant cultural experiences.”
February marked the opportunity to travel to Blacksburg, VA with my collaborator Kasiem Walters in order to work through a new piece at Virginia Tech’s Moss Arts Center.
Over the past few months, I’ve found myself jumping headfirst into my first sabbatical year, excited to take advantage of the time dedicated to my practice. Kicking it off in December 2021, I presented my performance, Monumental, at Untitled Art Fair Miami. This performative disruption of the commercial art space forced spectators to deal with the struggles of the body over the commodification of art (or not).
The Smithsonian has awarded fellowships to 14 accomplished visual artists from an international pool of candidates as part of the 2021 Smithsonian Artist Research Fellowship Program. Over the course of a one- to two-month residency, each fellow will conduct research at Smithsonian museums and research centers to inform the development of innovative, cross-disciplinary work.
‘Everybody knows about the south side of Chicago, but nobody knows how it really began. This is how it really began,’
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